![]() The 8x10 DeVere enlargers start to get a bit on the big side if they are free standing. The 507 DeVere would be my pick of the enlargers, it is still small enough to fit in most darkrooms, yet can handle 6x17 panoramic negatives, something a 504 cannot. ![]() ![]() I don't think there is a part on this enlarger I cannot fix myself. It is a simple enlarger, with effectively the only moving part being the cooling fan in the head. I myself run a free standing DeVere 504 with a colour head for B&W printing. Think of a shutter in the 8x10 models not working perfectly. The Durst enlargers are technical wonders, generally, they are a dream to use, but dependent upon the model, can be a bit iffy with little technical stuff sometimes going awry. If you are after a simple enlarger, built like a rock, will never ever have alignment problems once aligned, DeVere.ĭurst simple models are also built like a rock, but a lot of Durst machines came with many electrical wonders. I've used some incredible Durst enlargers, as well as some incredible DeVere enlargers, both are excellent and more or less over engineered for the job.
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